JOYCE JACKSON
Copy Editor
It’s not very often students receive the musical surprise of singing with a multiplatinum artist.
That’s just what happened, though, to Richland jazz singers when chorus director Dr. Michael Crawford told them they would be singing backup for Josh Groban.
“I think they’re having a hard time believing this is actually going to happen. So they’ve worked hard,” Crawford said.
Rehearsals for the event have been taking place Mondays, Wednesdays and Fridays.
Crawford said a few weeks ago an agent for Groban contacted him to ask if the jazz singers would be interested in working with Groban during his upcoming tour through Texas in October.
Crawford, who had never met Groban, said he was happy to say “yes.” The performances will take place Friday in Austin and at the Fair Park Music Hall in Dallas Sunday.
“The shows are about an hour and a half,” he said. “We will back him up on two songs: “Anthem,” from the musical “Chess” and “You’ll Never Walk Alone” from “Carousel.”
Crawford said he and the backup singers will just come out and sing these two songs with Groban. He will learn more details Friday, when they are scheduled to arrive in Austin. Dress rehearsals are at 2 p.m. and the show starts at 8 p.m.
Groban’s most recent collection, “Stages,” came out in April. It consists of songs from Broadway musicals, such as “Les Misérables,” “Carousel,“ and “The Fantasticks,” among others.
Groban requires 20 singers. They are: Sopranos: Natalie McCurley, Rachel Moon, Rachel Trevino, Rhina Restrepo, Angel Hare, Ashely Fuentes; altos: Martha Schessler, Bethany Zientek, Veronica Merritt, Maria Beltran; tenors: Crawford, Garrett Dunaway, Josh Usry, Steven Singleton, John Villalas; baritones: Brandon Jones and Nick Paldino, and basses: Alex Gonzales, Valentin Lopez and Drew Bramlett.
“The jazz singers were chosen because they are my best singers,” Crawford said. “I have to have 20 singers. I only have 12 jazz singers, so I’ve augmented it with eight other singers from the chamber group.”
Crawford said he won’t be taking any rhythm section players, just the 20 singers on the trip, and they equally are divided among men and women.
Groban wants the backup singers to wear black.
“They stipulate black for men and women … no sparkles, which I told my singers, you know, they really have to be almost part of the wallpaper,” Crawford said. “No hair, no makeup, nothing like that that stands out. They’re really not paying a lot of money to hear us. They’re paying a lot of money to hear him.”
After the performance in Dallas, he and the singers will have their pictures taken with Groban, which they are pretty excited about, Crawford said.
“I think this is an incredible opportunity for our singers to be involved. Even if people don’t listen to his music, they know the name,” he said. “And, I would guess that a lot of people have listened to him. He’s quite a phenomenon.”
Crawford has sung some of Groban’s pieces and said while Groban can cover both tenor and baritone, his songs are very difficult to sing because he has such a wide range.
Crawford said he thinks it speaks well for Groban as an entertainer to be able to make this opportunity available to college kids because every place he goes, he contracts with a college group for backup singers.
“He wouldn’t have to do that,” Crawford said. “He could probably figure out something else, so I think he does it for all the right reasons.”
There’s one other aspect of importance for the jazz singers.
Crawford said they’re earning $2,000 for each performance, which will be used to help finance a spring tour for 16 jazz singers.
“The Choral Department gets the $4,000 for a trip to Seattle next March for a local jazz festival,” he said. “We travel every spring, but this is a little more costly, so the fact that this came along is really pretty good.”